, <\/strong><\/em>West Bund Art Fair, 2022 <\/p>\n(Courtesy OCAT Shanghai)<\/p>\n
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\nABOUT THE ARTIST<\/h3>\n
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Antoni Muntadas<\/strong> has been the recipient of several international prizes and grants, including those of the John Simon Guggenheim Memorial Foundation, the Rockefeller Foundation, the National Endowment for the Arts, the New York State Council on the Arts, Arts Electronica in Linz, Laser d\u2019Or inLocarno, the Premi Nacional d\u2019Arts Pl\u00e0stiques awarded by the Catalan Government, the Premio Nacional de Artes Pl\u00e1sticas 2005 and Premio Vel\u00e1zquez de las Artes Pl\u00e1sticas 2009 granted by the Spanish Ministry of Culture. His works has been collected by important museums but also by public and private collections such as Centre Pompidou (Paris), Colecci\u00f3n \u201cla Caixa\u201d (Barcelona), DZ Bank AG (Frankfurt), Funda\u00e7\u00e3o de Serralves (Porto, Portugal), Fundaci\u00f3n Bot\u00edn (Santander, Spain), Kunsthalle Bremen, Solomon R. Guggenheim Museum (New York), or Tate Modern (London), among others. He has been a Professor at MIT in Cambridge, Massachusetts for more than 30 years. He is currently a Professor at the Instituto Universitario di Architettura del Veneto (IUAV) in Venice.<\/p>\n <\/p>\n
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Kelvin Kyung Kun Park<\/strong> was born in 1978 in Seoul, Korea where he currently lives and works.His recent solo exhibitions include: “When Tigers Used to Smoke”, OCAT Shanghai, Shanghai, China (2022); \u201cMedium Rare\u201d, Sahnggup Gallery, Seoul, Korea (2020); \u201cDouble Mirror\u201d, Shanghai Museum of Glass, Shanghai, China (2019); \u201cA Dream of Iron\u201d, Sin Ricoh Gallery, Seoul, Korea (2016); \u201cStopping by Woods on a Snowy Evening\u201d, Gallery Hyundai, Seoul, Korea (2016); ARTSPECTRUM 2016, Leeum Samsung Museum of Art, Seoul, Korea (2016); \u201cIntuitive Landscape\u201d, Arario Gallery, Seoul, Korea (2016).<\/p>\nHe also attended the following group exhibitions: \u201cUnruly Paradigms\u201d Frieze 9 Cork St, London, UK(2022); \u201cA place for Concealment\u201d, Korean Cultural Center, Shanghai, China (2021); \u201cA.I., Sunshine Misses Windows\u201d – Daejeon Biennale 2020, Daejeon, Korea (2020); \u201cMoment of Monument\u201d, Choi and Lager Gallery, Cologne, Germany (2020); Seoul Biennale of Architecture and Urbanism \u201cCollective City\u201d, Seoul, Korea (2019); Busan Biennale 2018, Korea (2018); \u201cBrilliant Memories\u201d, Buk Seoul Museum of Art, Seoul, Korea (2016); \u201cKorea: 70th Anniversary of Liberation\u201d, National Museum of Modern and Contemporary Art, Seoul, Korea (2016); \u201cResonating Triangle\u201d, ARARIO Museum, JEJU, Korea (2016); \u201cObejectology II: Make, National Museum of Modern and Contemporary Art\u201d, Seoul, Korea (2016).<\/p>\n
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\u65f6\u95f4\uff1a2022.11.10-11.13
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